Nile Rodgers by Mick Rock


equal-means-equal

Last spring we were invited to the home of producer, musician and guitarist, Nile Rodgers in Westport, CT for an interview and photo shoot of epic proportions. Along with us was Liz Derringer, renowned music journalist, who cut her teeth at Warhol’s Interview Magazine and former wife of music legend Rick Derringer. Also joining us was legendary rock photographer Mick Rock, known as “The Man Who Shot the Seventies” for his iconic shots of musicians like Queen, Bowie, Lou Reed and Roxy Music to name a few. It was quite a day that ended on Nile’s bed—listening to some pretty interesting stories. Here they are in his words.

LIZ: I saw you with Daft Punk and you won a Grammy! I was in the audience but I was too far away for you to see me! When you came on I was so excited and so happy for you!


NILE: It’s really interesting because I don’t do what I do, ever, thinking about awards or anything like that and I was trying to explain to Daft Punk that we weren’t going to win and they were looking at me like I was out of my mind. They weren’t looking at me like they were expecting to win. There were looking at it as how I could be so negative after all the Grammys that I’ve won? I said, “I have never won a Grammy!” And they were sitting there while we were in the audience and going, “You’re telling me you didn’t win a Grammy for “Let’s Dance” or “Like a Virgin” or “We Are Family” or Diana Ross’ “Upside Down” or “I’m Coming Out” or “Freak Out?” And they started naming all these songs—and I was like “no! no!” They said, “How is that possible? How could you not win a Grammy for “We Are Family?’” They just could not believe it. So when we won the first Grammy I was thrilled! I was, like, done! I was like “Okay, I got a Grammy, this is awesome!” And then we get a second one and then a third and they win a total of five and Pharrell wins four because he wins for producer of the year. I’m going “This is AMAZING! My little clique!” Between us… all of the technical people and engineers we had a slew of Grammys!

LIZ: How did you get together with Daft Punk and Pharrell?
NILE: I have known Daft Punk for 19 years now. I met them right after Bernard (Edwards) died around 2 years. I met them, when they were having a listening party at Private Eyes or one of those clubs around 21st St. around the corner from the Limelight. So, I went over there to check them out and we met and they told me that they were huge CHIC fans and there were a lot of CHIC samples and ideas on their new album which they played for me and it was amazing. We’ve been friends ever since and have tried to hook up on a couple different occasions but it never worked out until about 17 years later. I think that the 17 year wait was the right thing because you know, Mick (Rock) and I were just talking about something what I call convergence in Rock and Roll and when they called me, they came over to my apartment we hung out, they had some demos. I don’t even know if they played the demos. They told me about the concept and I was like, “Who cares about the songs, I like the concept.” The thing that I always like is when people play songs for me; I almost like it when I don’t like the songs so I can fix them because that’s what I like to do. That’s what I do. The artistic lens that I am looking through is definitely not the same one I looked through at twenty-something and the things that I have to say are more important to me now because I know time is finite.

LIZ: Were you inducted yet, into the Rock and Roll Hall of Fame?
NILE: Never. We’ve been nominated nine times. If you look at the way that they talk about CHIC—it’s the lamest thing. If you look at the Rock and Roll Hall of Fame thing, I wouldn’t vote for those dudes either! Let me put it to you like this—there’s no one in the Rock and Roll Hall of Fame that has done what we’ve done. We’re the only band that’s been number one with the same record, three times! “Le Freak” went number one. The Beatles didn’t even do that shit. “Le Freak” went number one three times in succession. It’s the biggest selling single in the history of Atlantic Records. Bigger than Zeppelin, bigger than the Stones, bigger than anything. No one has ever sold 17 million singles at Atlantic Records! That’s just the beginning—just look at “Good Times” becoming the beginning of hip-hop and our very first single, “Dance, Dance, Dance” was platinum on both Atlantic and Buddha. We were platinum on both labels! They put up one of our songs that was an obscure song as the first song, “Rebels Are We”, from an album that didn’t sell much at all, so when you go to the Rock and Roll Hall of Fame it says “Rebels Are We”. I look at it like this—when I bought my apartment, I was really good friends with the Liebers, you know, of Lieber and Stoller, they were getting a divorce. They were moving out of their place so they wanted me to look at their apartment, so I walked around and looked at the apartment, it was fabulous! So, all my life I’ve been a New Yorker and I was a renter, so I didn’t know anything about co-ops or condos. I was a renter or I was homeless. So now, I had millions of dollars and I could afford any apartment that I wanted, so either or Jed or Oliver, I think it was Jed Lieber, took me over to his apartment and said, “Look, we are moving out, and we’d love you to have it.” So, I looked and the board turned me down! I went, “I make more money than half the people in this building! Why did you turn me down?” My attorney
said, “That’s why they made co-ops, so they could keep people out that they didn’t want!” He said, “You can go get a condominium if you want.” Then he said something to me that is a credo that I have lived by ever since, and this is how I feel about the Rock and Roll Hall of Fame. He asked me, “Why do you want to want to live in a building where they don’t want you?” We get nominated all the time. I’ve sold more records than most anyone out there, and everyone out there last year said I was gonna be a shoe-in for Daft Punk.

LIZ: Nile, of all the people that you’ve worked with—Is there a favorite? Is there something special? A great story? Maybe you have one or two you’d like to share?


NILE: I’d say the person, who stands out, other than my partner Bernard Edwards, the individual that really turned my life around was David Bowie—and the reason why it’s such a beautiful and extreme and lovely example is because he didn’t have a record deal and neither did I and we did it all by ourselves on our own. We had no one to answer to and all we had was each other.

LIZ: How did you find each other?


NILE: At an after-hours club—I was with Billy Idol. We were drunk, and we came in at like 5 in the morning and we pulled into this place called The Continental, Arthur Weinstein’s old place, and Billy went “bloody fucking hell, that’s David Bo—–wie!” and he barfed when he said ‘Bowie’! He wiped his hand and went “How you doing mate?.” [Laughs] David was completely cool about the whole thing, but by the time Billy barfed and wipe himself off, David and I were already engrossed in conversation because he was living on 25th St. with the Young Americans—with all the people I started out with, so it was all the Sesame Street people (I was the guitar player for Sesame Street)—Carlos Alomar, Luther Vandross— they had become the Young Americans, so it was all my guys. The single that just went number one today on the dance charts is about the beginning of CHIC and it goes, “Life began for me, when a single DJ dropped the needle on our vinyl” and we go…“EVERYBODY DANCE” and that’s Luther and Robin and Diva and David Lasley and everybody and it goes, “I looked out to see people on the dance floor—living proof of my arrival”, because before that I was living on the subway. I was homeless. I didn’t know anybody except these few people and I worked for Luther Vandross and he really couldn’t tell I was homeless, because in 1977 the W. 4th Street subway station had a very large men’s room. You could hang up your clothes; the sinks were big and beautiful. It was designed very well for the times. So, I’d go there and wash up every day and let my clothes hang out and nobody would bother me, it was fine, so I seemed like a normal person. No one realized I was homeless. I used to be in the Black Panthers and all my friends used to say to me, ‘Man, if you want to learn how to live free in New York, hang out with Nile Rodgers!’. We had a band called New World Rising. We were supposed to play at this place which is now Café Luxembourg. At the time, it was called Ungano’s, a place where the Stooges used to play. We were going to be opening for the Stooges and we were like “we’re gonna make it!”, but it was run by two pretty tough guys, Artie and Nicky Ungano. They wanted us to sign a contract and we were like “is our situation quite that complicated?”—so we said no. But we were good friends with Mickey Ruskin. The Velvet Underground had just finished the night before.


It was the end of their summer stint, so he had no one playing and we called him up and asked if we could play at Max’s Kansas City. He said, “Well, how many people are in your band?” We said, “Well, we got more than the Velvet Underground. We’ve got saxophone, organ…”. He said, “I don’t have a cabaret license, you can’t bring in drums.” That’s when we said we have 200 kids that wanted to buy beer and he said ‘OKAY! Fuck the cabaret license, come on in!’. You can look at the history books, they won’t give us credit but that’s how Upstairs at Max’s Kansas City got started, because we were the first ones to do it!

LIZ: I’m surprised we didn’t know each other when we were young! Was there music in your family?


NILE: Yea, my family was big bebop fanatics. My father was also a heroin addict but he died incredibly young. He has a very unique story. He was the most regular black musician who played with a guy named Paul Whiteman who was considered the King of Jazz and he had an all-white orchestra. He started a television show called TV Teen Club out of Philadelphia and it had a young announcer named Dick Clark. My dad was the percussionist and it became American Bandstand! So, the day that I was born, my dad was in Philadelphia playing. He was so in demand because the Latin wave of music had begun to come up from South America. My dad was born in Trinidad, and he was very familiar with these afro-cuban rhythms and because Trinidad basically is pretty much South America! So when the big bands started hiring their percussionists, if you remember, Lucille Ball’s husband was a band leader and he was a percussionist, Tito Puente was a percussionist, so that was that sort of prestigious thing—so my dad was one of those guys. My stepfather is white and my mom is black and my stepfather only dated black woman. He was the fucking coolest guy on Earth. They were both heroin addicts.

LIZ: That must have been a rough upbringing with them being junkies.


NILE: No, it was fantastic.

LIZ: You never got into heroin, did you?


NILE: No, I was a hippie. So, by the time I became of drug age…

LIZ: …you were doing LSD.


NILE: Right. I dropped acid with Timothy Leary at 15 years old. I could almost give you the exact date, not that I remember it, but you can look it up because it was about four days after The Doors had released their very first album. I didn’t know who Dr. Timothy Leary was, I didn’t know what acid was, and I didn’t know who The Doors were.

LIZ: …and your mother?


NILE: My mom was drop-dead gorgeous. She fell pregnant with me at thirteen years old. My mom and I were more like siblings rather than parent and a child, and because they were beatniks, they had a whole different concept of child rearing; they treated me very much like a peer.

LIZ: What was it like working with Mick Jagger?


NILE: Awesome, we were really great friends, in fact, we probably don’t have enough time to give you one of THE best Mick Jagger stories of ALL time! No one can top this one! I just met this woman on Facebook, she was a porn star named Annette Heinz. She worked at this strip joint that we all used to go to called Bernard’s and the strip place SHE worked at was The Melody Burlesque. I used to go out with one of these burlesque girls. The weird thing about the porn/sex industry in NY around that time—there were three or four different types of industries. Regular girls, like Linda Lovelace, would get suckered into this weird thing and the movies would get edited and become these heavy-duty, hard-core sex things. There was that type of movie theatre experience, where people would go with others to watch porn. Then the Super 8 films became popular before VHS and people would buy and watch them at home. Then of course, regular magazines like Penthouse and Playboy, and then the hardcore stuff like Stag and whatever. Then they had the burlesque houses where women really, basically just did strip tease dances. But, this place where she worked invented the lap dance. They never had women touch men until this place, The Melody Burlesque. When I was doing Jagger’s solo album, my girlfriend worked in the peep show business where you’d put money in and the window would come up and you’d watch her dance and talk to her and it would come down and you’d have to keep putting money in. My girlfriend was a girl called Barbarella and she worked at Show World in Times Square. One day, one of these friends of Barbarella used me and Mick as her alibi to prove that she was at this particular nightclub. Mick and I then went to the Limelight and the next day was Jade’s birthday and I remember thinking to myself that he was not going to make Jade’s birthday! Mick doesn’t get lit like me. He was trying to hang with me and I was like, “Mick, I think you need to go home!”, but for some reason he wanted to hang. So him, his bodyguard and me went to Limelight and this girl tried to use us as an alibi. Well, that night she and her boyfriend killed and dismembered a dude, and his bones stuck through the plastic bag and made a blood trail from their house to the truck. We kept thinking to ourselves (and I knew I was with Mick Jagger who was famous) that they sure are making a big deal out of buying us drinks and saying, “We’re here with Mick Jagger!”. So this girl was trying to make a big deal out of the fact that she and this dude were buying Mick Jagger drinks and I don’t realize until months later—until I started to put the pieces together and I see that she is on trial for murder and dismemberment and that it happened the exact same night! No wonder they were trying to make a big deal out of the fact they were with Mick, but they never even got a chance to use that as an alibi because they got busted right away! So when I talked to this girl Annette on Facebook, we talked about that incident, she said, “Oh boy, do I remember it well!”

// Featuring: Nile Rogers // Author: Liz Derringer // Fashion Director: Jules Wood // Photographer: Mick Rock

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CATHERINE FULMER FASHION DESIGNER Born and raised in Southern California, Catherine Fulmer’s sensual garments meld together her passionate love of rock’n’roll and classic feminine designs. Her clothing has been featured on a number of celebrity clients in high-profile publications such as WWD, Vanity Fair, Elle, Harper’s Bazaar, The New York Times,
Ashley Benson photographed by Randall Slavin for Reserved magazine - Spread #3.
NO HELP FOR THAT ASHLEY BENSON American actress, model, writer, director and singer Ashley Benson photographed exclusively for  Reserved magazine by Randall Slaving. With styling by our Editor-In-Chief Jules Wood, makeup by Shane Paish and hair by Kylee Heath. Male Models featured: Phillip Ponesky from LA Models and Devin Truss
Andreas Kronthaler for Vivienne Westwood Autumn-Winter 2021-22 - Look #15. Reserved magazine.
MAYFAIR LADY AUTUMN - WINTER 21/22 “I could have spread my wings + done a thousand things, I’ve never done before. I’ll never know… my heart took flight. / I could have danced, danced, danced all night.” The songs of My Fair Lady R profoundly human + relevant to today. We gave
Vivienne Westwood Autumn-Winter 2021-22 - Cover #2. Reserved magazine.
VIVIENNE WESTWOOD AUTUMN - WINTER 21/22 This season, we started by looking at Daphnis and Chloe, 1743, a painting by French Rococo painter François Boucher, which is housed in the Wallace Collection, London. It became the main print for the season - with the sky and pastoral scenes reflected through the colors
DIRTY PINEAPPLE FALL/WINTER 2021 Individual proclivities in digital are a recurring theme at Dirty Pineapple. The team is no stranger to exposing the personal impact of modern digital behaviors. With Covid restrictions, online conversations have shifted to what's local, bringing attention to one's own back garden. From relationships to food
Libertine for Fall2021. Reserved magazine.
LIBERTINE FALL 2021 As the founding force behind Libertine, Johnson Hartig ups the ante in fashion by creatively immersing himself and those around him in a whimsical trip where old school classics meet new school know-how. Having first launched the label in 2001, today he continues upon his quest of
Willy Chavarria AW21 - look #16. Reserved magazine.
WILLY CHAVARRIA AUTUMN/WINTER 21 This is a story of elegance and endurance; the core elements of what WILLY CHAVARRIA designs. A call to simplicity. Clothing with a feeling of warmth and protection. The colors of New York are seen throughout the collection. Deep blacks, piercing blue reflections off glass skyscrapers,
Chocheng F21 - Opener. Reserved magazine.
CHOCHENG AUTUMN/WINTER 21 For his Fall/Winter 2021 collection, Designer Cho Cho Cheng transports us to the cheerful and inspirational tale of Mulan as choreographed in a 1980s Utopian style. A Peking Opera dripped in glamour and humor. A vibrant potpourri of fantasy, Disney and Fellini. Set in monochromatic and geometric
Spencer Draeger photographed for Reserved magazine by Alexander Thompson.
Dräger "THE VILLAIN YOU NEED" Dräger is the ethos of Spencer Draeger’s dystopian modern era. With his hand on the pulse of a generation saturated in anxiety and melancholia, part satirical, part sarcastic but overall playful—Spencer takes a light hand to the heavy themes of technology, love and society at
Private Policy FW21 - look #3. Reserved magazine.
PRIVATE POLICY FALL/WINTER 2021 Imagine the American Wild West in the 1800s: a grand landscape of mountains, ocean, desert, and valleys; ragged miners and cowboys; fortunes and opportunities from undiscovered gold that awaits throughout the land. However, not many may know the unique history in which hundreds of thousands of
AKNVAS FW21 - Opener. Reserved magazine.
AKNVAS FALL/WINTER 2021 The fall winter 2021 AKNVAS collection is created from a lens, which is looking at a world, in which we are all seeking comfort and safety. Creative Director Christian Juul Nielsen’s inspiration journey took him to revisit his roots while living in Paris and Copenhagen. The results
Ka Wa Key AW21 - opener. Reserved magazine.
  KA WA KEY AUTUMN/WINTER 2021 Through The Looking Glass, KA WA KEY AW 21 collection observes the duality of the imagination and reality inspired by larger than life characters and their dual personalities. Characters like Willy Wonka, Moira Rose, Peter Pan, Mad Hatter just a few to mention. Through
Timo Weiland menswear Fall/Winter 2021. Reserved magazine.
  TIMO WEILAND FALL /WINTER 2021 Polished leisure, the intention for the latest TW collection is timely in the uncertain era of WFH wardrobe and a return to the art of dressing for Zoom.  Co-founded in 2010 by Timo Weiland, Alan Eckstein and Donna Kang, Timo Weiland is a New
Sylvio Giardina Spring/Summer 2021 Haute Couture look book.
  SYLVIO GIARDINA SPRING 2021 COUTURE The new collection, divided into 7 “chapters”, plays on the disruption and radical transformation of previously codified balances and proportions, aiming at enhancing the regenerative power of a skillful artistic and sartorial craftwork and, at the same, the value of longevity, distinctive trait of
Glüme
  Glüme "GET LOW" Glüme shares her new single “Get Low”, the latest track from her debut album “The Internet”. "Get Low is about the high of falling for someone & how it effects your brain chemistry & nervous system. With autonomic dysfunction & a heart condition, it makes the
Terri Terri video still -
  TERRI TERRI "LOVERS IN NO TIME"   Terri Terri is the solo project of composer and multi-instrumentalist Mark Noseworthy. Noseworthy continues to write and produce his own music during his time off as a Magnetic Zero. ‘Lovers in No Time’ was written, recorded and performed alone in isolation with
Supermodel Natalia Vodianova backstage at Iris van Herpen S/S 2021 Haute Couture show.
  IRIS VAN HERPEN SPRING/SUMMER 2021 Iris van Herpen shows her latest collection ‘Roots of Rebirth’ during Paris Haute Couture Week on January 25th 2021. During such rarefied times, the designer explores a symbiosis of high technology and the artisanal craftsmanship of couture, through a collection that references the intricacy
Luis Wright for Reserved magazine.
  THE BOY WHO FELL TO EARTH LOUIS WRIGHT Louis Wright! Introducing a new face to the modeling world!! Louis is a 17-year-old who hails from the Los Angeles area. Photography & Film by Mynxii White. Stylist/Art Direction Jules Wood. Thank you to NO SUCH AGENCY.        
  NO RHYME OR REASON MODEL RACHEL MAREN                
Allie Concannon photographed for Reserved magazine by Alexander Thompson.
  ALLIE CONCANNON AMERICAN BEAUTY Allie Concannon is one of those effortless looking girls. You know the type. The kind that gets photographed in a spectacular sequined gown, then casually tosses it off and throws on her boyfriend’s t-shirt and cutoffs, looking even more spectacular. When you ask Allie where
Musician John Roberts photographed by Alexander Thompson - Cover image. Reserved magazine.
JOHN ROBERTS FREAKS “I want to get hearts racing, energy flowing, and make people feel good!” says John Roberts, singer & songwriter, EMMY Award-nominated actor and comedian. His deep-rooted love for music can be traced back to his youth. At the onset of the 90's he fell in love with
DIRTY PINEAPPLE  SPRING/SUMMER 2021 Hush Garden “Hush little baby, don’t say a word” The opening lyrics of this perennial lullaby might be the repeating loop you hear in your head while experiencing Dirty Pineapple’s Spring/Summer 2021 collection. Individual proclivities in digital are a recurring theme at Dirty Pineapple. With previous
MADISON PAPP “Madison Papp’s Recipe For Creating Alchemy In The Kitchen & In Life” As a chef, Madison Papp takes a distinct and progressive approach to food, flavor, and cooking using a balance of fantasy, elegance, and unbridled vibrance. Born and raised in New York City, she grew up among
threeASFOUR - S/S 2021 Vesica Piscis   Directed by Jessica Mitrani and Alex Czetwertynski XR Virtual Production Content Alex Czetwertynski Director of Photography Charles Billot Choreography Jonah Bokaer Producer John Morgan Music Georgia Editing/VFX/Graphics Alex Czetwertynski First AC Bobby Davidson In Association with Worldstage Worldstage team Shelly Sabel - Creative
  COLLINI MILANO 1937 Spring/Summer 2021 NO ONE IS INNOCENT. No one is innocent. Our collective experience has revealed a common destiny, a shared responsibility, a connected humanity. With the awareness that the simple pleasures of life are the most precious. And a new priority: to add beauty and gratification
PRIVATE POLICY - S/S 2021 For Private Policy's upcoming collection, the designers chose to refocus our understanding of beauty. Embarking on a search for the modern day Aphrodite, the collection expands upon the belief that it is not a beauty pageant but a process of accepting ourselves and others, thriving
 Big Chief Dowee Robair Have you visited New Orleans and fallen in love with the city’s intoxicating mix of food, music and culture? The city is home to traditions—styles of art, cuisine, music and, yes, fashion—that cannot be found anywhere else. Nothing personifies this “only-in-NOLA” culture like the Mardi Gras
Carmine Rotondaro “Contamination For Glamour “ COLLINI’s Brand Legacy Of Heritage Couture & Resilience In The Age Of Covid-19 RESERVED MAGAZINE has a version sit-down with Carmine Rotondaro, COLLINI’s dynamic Creative director and CEO to discuss his vision behind their provocative new campaign. The juxtaposition of the model  engaged in
4254 Olympic Gold Medalists-turned-fashion designers, Élodie Ouédraogo and Olivia Borlée, speak to me over Zoom from their respective homes in Belgium. The interview was meant to be in person in Los Angeles, but like everyone, the girls have readjusted their plans for the worldwide COVID-19 lockdown. Among the many other fallouts of
ALABAMA BLONDE Alabama Blonde sits at her computer with a white background, keeping her surroundings mysterious. She’s relaxed in glasses and a black beret, and we begin by talking about her cactus garden. She’s afraid of heights, and the cactus barrier surrounding the edges of her balcony make her feel better
  JULIA CLANCEY Daria wearing Julia Clancey Pink Slinky head wrap, Earrings and Necklace PK Bijoux, Lion cuff Snake cuff Vintage cuff and ring by Hirst Collections, ring by Frangos, Bracelets @thehirstcollection by Kenneth Jay Lane, Satellite, Amishi, Askew London, Kenneth Jay Lane  Madi wearing Dragonfly Tassel Turban by Julia
BLACK DAHLIA: Candy and the Science of Bliss Arriving fresh out of the candy lab, Taryn Garcia makes the life of a confectioner sound just as surreal as the childhood mind imagines; it’s the life of an artist, chef, and mad scientist, all rolled into one.   Head chef along with Greg
Known for its lavish celebrity disco parties in the late 1970s, Studio 54 became a symbol of the NYC elite, and many of the images—such as Bianca Jagger on the white horse— were as notorious as the club that inspired them. Behind the camera of many of the famed photographs
Art
The moment Miljan walked into the Air France Lounge at New York’s JFK Airport he was immediately inspired by the architectural environment to create an installation/exhibition “Studio Visit”. As the first site-specific art installation of it’s kind the Air France lounge, his 35 large vibrant abstract works that were met
helena christen
‘In My Dream Last Night…’ is the armature behind an ongoing short film and sound concept by creative duo Stærk&Christensen, in collaboration with a number of artists from various fields who are a continuous source of inspiration to the duo. A collection of personal moments, thoughts and dreams are revealed
Art
ART & THE DNA OF CREATIVITY NEIL GRAYSON by Anthony Haden-Guest There is an empty frame on a wall in Neil Grayson’s SoHo studio. It’s a handsome frame, hanging alongside his portrait of his father. What he was planning to put in it? “Nothing,” Grayson said. “That’s Salvador Dali’s last
It is a historic time in the history of the United States. More women than ever are running for president, educational opportunities are slowly advancing for women globally, and America has returned to having a female Speaker of the House. However, the fight for women’s rights and equality still rages
Movement — a physical manifestation of our endless imagination. It allows us to create, to connect, to observe, and most importantly to know ourselves. To move is to be free. In this series, Fagan captures the intimacy of spontaneous expression. The motions, inspired by ballet, are so beautifully thoughtless they
Between running her own radio station, modeling, and campaigning in the ongoing crusade for equal women’s rights, it’s a wonder that Theodora can even find time to squeeze in an interview. Growing up in a household with Keith Richards of The Rolling Stones, it’s fairly inevitable that a strong musical
The Claypool Lennon Delirium is one of those rare bands that make you smarter when you listen to their music...The mood hovers around the spectrum of psychedelic rock, with dizzying bass riffs and otherworldly electric guitar.
Coincidentally, just a couple weeks before showing ZAC ZAC at Coterie, Posen was asked by Google and their online program Made With Code, to create an LED dress. Made With Code’s website encourages girls to study science and technology. It tells the stories of various young ladies who have learned
Art
Drawing across a surface is a mysterious adventure, full of complex possibility and poetry. While the works represented on these pages date from the 1970’s to the present and incorporate diverse processes and mediums, they all share my life’s preoccupation with the power of the drawn line.
My creative process is centered around the concept of evolution and the capacity to transform. I believe these concepts spring from a sense of optimism that we are not necessarily bound by our past, but by the boundless potential of the future. When a viewer engages with my work, I
Art
Most recognized for performance as a non-traditional method of painting, Brown uses her body as a tool to create artifacts that are remnants of her process. Reminiscent of abstract expressionist studies, Brown produces aesthetically whimsical paintings with a deep underlining rawness of human emotion. Viewing the body as a vessel
‘Etiam capillus unus habet umbram suam’ - The smallest hair casts a shadow + Francis Bacon
The school sits square, brick, and bunker like, cupping a central yard, which I do remember as the exact spot Artie Cano knocked the wind out of me with one punch to the stomach after I said something he didn’t like. This, right in front of the willowy Michelle Jones,
Feminist has become a dirty word. So often people feel uncomfortable openly identifying as a feminist because of the misguided notion that the term means that women should have power over men or that it is a euphemism for “man-hater.” Feminism is the belief that men and women should have
I don’t have an ideal type of man. I guess the ideal man is the one who identifies with these clothes and who feels better in them. My clothes don’t scream but they do tell a story. You have to have the patience to understand this story to really appreciate
1. At what point in your life did you first identify as a feminist and when did you become aware that a culture existed that devalued and debased women?  I didn’t really learn about feminism until I went to college. My mother was always a feminist but I don’t remember
Jen's ability to deliver cherubic, velvety vocals that effortlessly transition into the radical rumble of a runaway 18 wheeler doing 90 mph on an open highway is a feat in itself to witness live.